me

celine katzman

 

In my late teens, I used to work the graveyard shift at Whataburger.
At my grandmother’s funeral, I read  a great poem my wife wrote about the benefits of having Alzheimer’s; regretfully, I did not make copies for the audience to follow along.
We yearn to go back home to the desert southwest, but after watching a few episodes of The Twilight Zone…forget it.
Invite me out for just a couple of beers. Having a hangover with kids is unbearable – Can’t wait for them to fall asleep. Can’t wait for them to wake up.
Teaching is kind of like being a stand-up comedian.

 

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The pieces utter not taking things for granted: the painting stretcher, the places they occupy, and the ability to pursue painting instead of volunteering at the local soup kitchen or Afghan military outpost. They depict a fortunate state of being where I am able to partake in what, self-admittedly at times, feels inane and not productive within the larger scheme of things.

Sometimes there is a level of guilt associated with my art making. I feel guilty for wanting to paint, to make paintings, for wanting others to experience them, to talk about them and in the end serve my own ego. Deep down inside though, I want these to move people, to create change, and somehow be an antidote for the ills of our society. I have little faith that merely looking at an artwork can evoke the power needed to urge someone to help. Perhaps,  just making art in general indicates a level of freedom that may influence others to obtain or maintain such capabilities, but I want these works to directly move others into constructive action. The problem is how.

Instead of merely stating a political position, or lack thereof, allow me to position these paintings into a mode of positive change. Each piece is available for the taking in exchange for your promise to execute a good deed. Help somebody in some way. I will take your word as your bond and trade you an artwork in return.  The level of effort taken is solely up to you and there is no one to hold you accountable. The painting you acquire will serve as your reminder.

 

 

EXCHANGE A GOOD DEED FOR A PAINTING

HOW???

>Promise to do something good. I’ll mail you a painting in exchange. 

>There is no catch. There is no contract.  The piece serves as your reminder.

>Hit the “Donate” button to get started.

  >Pay $10 to cover shipping and handling within the United States. I will send you a painting from my current body of work

 
*Interested in a particular painting or do you live outside the U.S.?? Contact me so we can talk specifics.
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CV

 

b. 1979, El Paso, Texas

Lives and works in Providence, Rhode Island

 

EDUCATION

 

2011 MFA    Painting, Rhode Island School of Design

2004  BFA    Painting, University of Texas at El Paso

 

PROFESSIONAL WORK EXPERIENCE

 

2011-12     Adjunct Lecturer in Art:  Studio Foundations (2/2), Brown University, Providence, RI

 

SOLO EXHIBITION RECORD

 

2012

Home Depot, 387 Charles Street, Providence, RI

2011

SpeeDee Oil Change, 985 North Main Street, Providence, RI
Savers, 1925 Pawtucket Ave., East Providence, RI
Hillside Family and Community Medicine, 727 East Avenue, Pawtucket, Rhode Island
US Post Office, 24 Corliss Street #100ProvidenceRI
Eastside Pediatrics, 154 Waterman Street #3ProvidenceRI
Ben and Jerry’s, 237 Meeting Street, Providence, RI
Providence Children’s Museum, 100 South Street, Providence, RI
Womens & Infants Hospital101 Dudley St.ProvidenceRI
Burlington Coat Factory, 60 Newport AvenueRumfordRI
IKEA, IKEA WayStoughtonMassachusetts
Center for Obstetrics & Gynecology, 297 Promenade St.ProvidenceRI
IHOP, 425 Promenade StreetProvidenceRI
Washington Trust Bank, 56 Westminster StreetProvidenceRI
YMCA, 333 Roosevelt AvenuePawtucketRI
East Side Mt. Hope YMCA, 438 Hope StreetProvidenceRI
Providence Super Wash Center929 North Main StreetProvidenceRI
Lippitt Memorial ParkProvidenceRI
Stop & Shop, 333 West River StreetProvidence,RI
Kennedy Plaza Bus Depot, ProvidenceRI

 

GROUP EXHIBITION RECORD

 

2012

RK Projects (forthcoming), Providence, Rhode Island

Mythografia, Bull and Ram, New York, New York
Curators: Eve Lateiner and Yevgeniya Baras

2011

Rocket to Nowhere, Amigos Publishing, Providence, Rhode Island
Curators: Jeff K. Hale and Lila Jarzombek

Small Crowd, Mixed Greens, New York, New York
Director/curator: Heather Darcy Bhandari

2010

Boston Young Contemporaries, Boston University
Curators: Katherine Bradford, NYC artist; Jessica Dickenson, NYC artist: Joao Ribas, MIT Visual Arts Center curator

2009

Texas Biennial, Women & Their Work, Austin, Texas
Juror: Michael Duncan, Corresponding Editor for Art in America (catalogue)

2008

New American Paintings: 78, Juried Exhibitions in Print,Curator: Andrea Karnes,
Curator for Museum of Modern Art, Fort Worth, Texas

Redefining Walls, Union Gallery, University of Texas at El Paso
Curator: Kate Bonansinga, Gallery Director, Gerald and Stan Lee Center for the Visual
Arts, El Paso, Texas

New Arte Nuevo: San Antonio 2008, University of Texas at San Antonio
Jurors: UTSA Department of Art and Art History (catalogue)

2007

High Contrast, Shine Gallery, El Paso, Texas, Curator: Miguel Bonilla

2005

New American Talent: 20th Exhibition, Arthouse at the Jones Center, Austin, TX
Juror: Dan Cameron, Founder/Director U.S. Biennial, Inc. (catalogue)

2005

Regional Invitational, New Mexico State University, Las Cruces, NM
Curator: Mary Anne Redding, Curator, Photography Palace of the Governors at
State of New Mexico DCA (catalogue)

2004

Border Art Residency: Site Project, El Paso, Texas
Curator: Willie Ray Parish, Professor of Art, University of Texas at El Paso

Artists on Art, El Paso Museum of Art, Curators: Christian Gerstheimer,
Curator, El Paso Museum of Art: Benjamin Fyffe, Arts Education Program Coordinator,
Musuems and Cultural Affairs Department, City of El Paso, Texas

2003

Three Amigos, Centro Municipal de las Artes, Cd. Juárez, Chihuahua, México
Curator: Oscar Francisco Sánchez, Founder, Prepatoria Allende de Cd. Juárez

 

PRESSSSSS


Cook, Greg, “New Directions,” The Boston Phoenix, July 14, 2010

Robbins, Christopher, Eyebeam.org: Reblog, May 26, 2010

Piseno, Tabitha, “Rotation X: Curating As Academia,” BOMBLog, December 9, 2009

Jordan, Breal, “Golden Oldies,” Texas Monthly, March 2009

Paulda, Mark, “On Art,” El Paso Magazine, March 2009

Wiggs, Shane, “Art Criticism: High Contrast at the Shine Gallery,” NewspaperTree.com, April 19, 2007

Koper, Rachel, “Oh, Give Me a Home,” Austin Chronicle, July 1, 2005

 

PROFESSIONAL DEVELOPMENT

 

2011                 Internet for Artists Workshop by Creative-Capital, Providence, RI

 

PUBLICATION

 

Pink Jacket, No. 1, www.pinkjacket.org, 2011